Todd's Reviews
The Psychology of Irwin M. Fletcher
by Todd McFliker
I present the psychological evaluation of Mr. Irwin M.
Fletcher. The middle-aged Caucasian was employed as an
investigative reporter for several years with the Los Angeles
Times, writing under the byline “Jane Doe.” In 1985, Mr.
Fletcher, a.k.a. Fletch, uncovered a story about the LAPD,
naming Police Chief Karlin, with a ‘K,’ as the number-one
drug-smuggler on the beach. And I don’t mean Robitussin. At
the same time, Fletch became a fast-talking master of disguise
to uncover businessman Alan Stanwyk’s murderous scheme to flee
the country and bask in the sun while landing the Police Chief
on the front-page. Working under wraps to expose exactly who
was behind it all was not easy. He didn't shower much.
I have reviewed Fletch's personality, strengths and briefly
portray his character when he is at his best, under pressure.
He rarely thought ahead, the professional simply flew with the
moment, quickly analyzing and taking advantage of any
opportunity available to assist his article or talk himself out
of sticky situations. Irwin’s instinct and faith in his own
genius was boundless. Seeking the truth, Mr. Fletcher’s
numerous personas adopted cynicism, wit and memorable disguises,
including a roller-skating monk and a homosexual shepherd.
Fletch's strongest
point was the firm belief in his mission and the complete
dedication to journalistic integrity in the eye of the public.
Using the Jane Doe pseudonym, he also had the ability to appeal
to and arouse the sympathetic concern and protectiveness of each
“victim” he encounters for information. Hearing Fletch’s daily
dialogue from twenty years ago, such as “I saw my pimp today,”
makes doctors stop and question, "Is this man sincere in his
journalistic undertakings or is he just goofing off?" For
example, was the female partner he was capturing on cassette
tape truly supposed to believe that he was not recording their
sexual experience? “No, never, never,” he persuaded, but
refused to provide further
details to the psychologists.
These are aspects of
Fletch that we should never lose sight of when evaluating his
hold on the media industry. At times, it seemed almost
inconceivable that the wise-cracking newspaper reporter could be
sincere, and have such important accomplishments in his career.
It was astonishing how he could so easily con the average-Joe on
the street. Similarly, there was nothing to it when the writer
persuaded his boss, Frank, to buy him a ticket to Utah. The
employer was merely bribed with a convincing argument as to the
story, along with an enticing offer for a gift of some new
deodorant.
Exactly how Fletch’s piece would come together was rather vague
in his mind. But his did not concern Fletch, as an "inner
voice" communicated to him the necessary steps to uncovering a
drug-smuggler’s numerous crimes. In each and every field of his
job, he possessed a keen appreciation of his role as a
journalist, utilizing his tactical genius. Fletch used uncanny
timing of his one-liners, as was the case when he splurged on a
set of novelty teeth, and created the aerospace-engineer
supervisor, Gordon Liddy. He was merely fishing around
Stanwyk’s work, Boyd Aviation, to investigate his story. At
times, Irwin’s intelligence was astonishing, devoid of all moral
sense, as was the case when Gordon Liddy insisted on pliers and
a set of ball bearings. He ordered a couple of workers in the
hangar not to tell him his business. “It’s all ball bearings
these days,” convincing the two men of his authority. Even in a
very complex situation, Fletch discerns what is possible and
what is not.
Fletch did not blush when he stood up and interjected an
ad-libbed speech before an award
banquet, while being surrounded by a team of dirty cops.
Thinking quickly from the stage, new “Father of Internal
Bushings” delved into his past with the crowd, reliving the
childhood trauma of his favorite babysitter, Marge. The woman
was dismissed following a near-fatal overdose on alcohol and
sedatives. But Marge’s success spending two or three weeks at
Trembling Hills surely paid off, as her sobriety has influenced
the journalist. Also, it is coincidental that the ceremony
Fletch interrupted was in honor of Fred “The Dwarf” Dorfman.
Fred Dorfman is the name of Kent "Flounder" Dorfman's brother
in 1978’s
Animal
House, Irwin’s favorite film.
"When I first met
Fletch, his quick wit had impressed me. Like when he pulled
rank on an older gentleman by creating the mattress-police who
randomly check houses for proper tags under the beds. But as
time went on, he appeared to me to become unreasonable and
overly convinced of his own infallibility and greatness,"
explained Dr. Rose Rosen, Ph.D. "When
a man gets to the point of identifying himself with Don Corleone,
discussing Moe Green
from the Tropicana,
as well as his
sons, Michael and
Freido, then he is ripe for an insane asylum. And I am
yet to find a company that actually leases out rubber gloves,
with an option to buy."
Crazy or not, Irwin’s rapid thinking has resulted in the
frequent outwitting of his adversaries. The result has been the
uncovering news breaking stories and maneuvering out of sticky
situations along the path. For example, “Fletch created people
out of thin air to gain pertinent information, such as the phone
number to Alan’s realtor in Utah, Jim Swarthough,” explained
Frieda, secretary to Comanche
Indian and F.C.C. representative, Mr. Poon. Fletch also
impersonated a government employee in order to steal a
convertible when running from dirty cops. He justified the
maneuver to an unwilling passenger, as well as to himself, by
mentioning the massive amounts of recent changes in the law. In
fact, Irwin questioned “car-theft” as a crime in an emergency
situation. Nevertheless, the getaway helped Fletch build up the
myth of his own infallibility which both law enforcers and news
readers benefited from.
Fletch had the capacity for
evaluating his surroundings, picking up valuable clues from
others in order to foresee and uncover Alan’s final plan. For
instance, he immediately made note of his environment while
investigating Mr. Stanwyk’s country club. Jane Doe thought
quickly and charged his lunch order, a $400 meal of Lobster
Thermador, drinks and a steak sandwich, to an obnoxious member
of the club, Ted Underhill. When questioned by a waiter, Fletch
retorted immediately, “It’s alright. He just stepped out for
his urinalysis.” Also, when caught off guard by Mrs. Stanwyk,
Fletch instinctively adopted a new persona with a beautiful
Scotch/Romanian name, John Cocktoston. Fletch’s behavior in
1985 was justified on the grounds that he must report the truth,
and successfully create whatever characters necessary for doing
so. These are mere examples of some of the man's outstanding
abilities that enabled him as one of the top investigative
reporters in the industry.
With time, Fletch’s
associates in the L.A. newspaper recognized his superior
capacities. To this day, they admire and respect his
extraordinary journalistic integrities, particularly the
influence he has over strangers. Not only did his boss claim to
have never doubted Fletch, but one coworker even claimed the
writer as her “Hero.” Irwin later explained that he earned the
impressive title at home, dressing up as Little Bo Peep. But he
assured the psychologists that his role-playing was nothing of
the sexual nature.
Since retiring from the newspaper industry in the early 1990s,
he has been making numerous, but unsuccessful efforts to try out
as a power forward for the NBA’s Lakers. He was merely
following his high school guidance counselor’s advice, as Fletch
is actually 6’5, with afro 6’9. And when
a TV anchor asked
the Lakers’ Kareem Abdul-Jabbar about Irwin’s performance
on the court, the NBA’s three-time ‘Most Valuable Player’ had
nothing but positive feedback. “Well,
Fletch has been great,” Kareem answered. “He's super-strong.”
Fletch has always been drawn to basketball, as opposed to
baseball. On top of listening to the Beatles’ White Album and
owning children’s books about elephants, some of the
journalist’s earliest childhood memoirs consist of Los Angeles’
Baseball Summer Camp with Tommy Lasorda, where he was
consistently ridiculed by other kids for his given first-name.
“Don’t say Irwin,” he still insists, with the exception of wet,
married women. In fact, one camper named Ted Nugent, sat and
watched as his Doberman viciously attacked the young Fletch.
Ironically, the canine’s name was “Love.” To this day, the man
cannot love a dog more than five or ten minutes, tops.
Towards the end of his career, Fletch drafted an article on the
offshore betting taking place in the Himalayas. It was a
smaller piece, but he still made top-dollar, as the writer
refused to have his wages garnished. In vital matters, the Jane
Doe alias has always been far from unmindful of the success
story he left to the following generation of newspapers
reporters. Whether it is uncovering dope-dealing cops and
homicidal Police chiefs, portraying a master of reporting,
medicine, airplane mechanics, tennis or professional basketball,
Fletch truly defines grace under pressure.
To come: Extremely
shorter write-ups on The Psychology of Carl Spakler,
Greens-Keeper (Caddyshack), The Psychology of an International
Spy; Fat Bastard (Austin Powers), The Psychology of an X-Con in
Arizona (Raising Arizona), and The Psychology of Ruprict (Dirty
Rotten Scoundrels). |