Todd McFliker
Photography, Poetry,
Fiction & Expository Writing

                          Todd McFliker-Creative Journalist

All You Need Is Love To Dismantle an Atomic Bomb-How The Beatles And U2 Changed The World
"All You Need Is Love to Dismantle an Atomic Bomb"
How The Beatles and U2 Changed The World

Author Todd McFliker

 

Todd's Reviews

Red Hot Chili Peppers

      The Red Hot Chili Peppers were phenomenal. Since 1983, the crew out of Los Angeles has been crossing genres and reinventing punk with an explosive stage show. Having sold more than 50 million records in their impressive career, the fellas’ latest work, a double-CD Stadium Arcadium, debuted at Number One on the Billboard Top 40 Albums chart. During the summer, the album moved 1.7 million copies, and become the third best-seller of the year. Confirming the Chili Pepper’s mighty stature, Stadium Arcadium also won Best Album, and second place behind the Stones for Best Tour in Rolling Stone’s 2006 Readers Poll. On January 31, the Chili Peppers blew away South Floridians for over two hours in the Sunrise Bank Atlantic Center.

      Following the opening act, Gnarls Barkley, the Chili Peppers kicked off with “Can’t Stop,” the fast jingle off of 2002’s By The Way. Front man Anthony Kiedis portrayed aerobic dances at every corner of the stage in his black vest, white wife-beater, and long black shorts. Meanwhile, the world-renowned Flea gave his consistent seizure style to the bass. The iconic bass-player in pink pants and no shirt announced, “I’m not afraid of an alligator, while the entire arena was still bouncing on its feet. They ripped into the new record’s “Dani California,” and John Frusciante delivered a mean solo in brown pants, a plaid button-down, and a scruffy beard. The underrated guitarist stole the show, as he pushes the tubes in his Marshall Stacks into clean harmonic glory, avoiding the heavily distorted tones which define most of today’s modern rock. Of course, Frusciante doesn’t steer clear of using effects. He merely blends them tastefully, constructing organized textures and atmospheres to create a spacey bed for Flea and drummer Chad Smith to rest on.

      “Scar Tissue” was performed, and a fifth musician sporting an enormous afro began banging bongos during the new cut, “Charlie.” “And now a little something by the Ramones,” Anthony announced, and began singing “Little Havana.” The Chili Peppers are known for their classic covers onstage, including timeless numbers from Zeppelin, the Allman Brothers, Simon and Garfunkel, and Nirvana. Later, John stepped to the mic for an acoustic version of Pink Floyd’s “See Emily Play.” Hearing the Syd Barrett single from 1967 was a personal highlight of the evening. Flea even sang the Monkees’ theme-song, changing the lyrics a tad; “Hey, Hey, We’re the Chili Peppers.”

      During “21st Century,” Flea and John stood center stage, facing one another, exchanging impressive licks during an extended conclusion, and Anthony did a hand-stand in the middle of “Californication’s” psychedelic rhythms. Just prior to the familiar “By The Way,” Flea announced, “You are a beautiful bunch of human beings. Such a warm and hospitable welcome, it’s really fucking unbelievable.” Stadium Arcadium’s “Snow (Hey Oh),” was well received, but greeted with less enthusiasm than their roaring sing-alongs from previous years, such as the adrenalin-pumping “Give It Away” and “Blood Sugar Sex Magik.”

      After trekking through Europe and North America with a volcanic force since April, the Red Hot Chili Peppers will be busy performing until March, when they’ll be winding down the intense tour at San Antonio’s AT&T Center. Complimenting each other’s immeasurable talents while playing for over two hours without losing any steam, the Red Hot Chili Peppers are unquestionably one of the most vivacious and satisfying acts on today’s touring circuit. –by Todd McFliker
 

 

 

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